The topic of a dozen conversations around us turned to what to do instead. Mom and I had our own. It was too late to think of heading to another show, so we poked out into the now almost rainless night to look for a restaurant. Just a few blocks away, we found a cozy looking place called the Troubadour. We had a nice meal, in the course of which Mom noticed that there was to be live music later in their downstairs bar. We got hold of a brochure that announced The Great Un-Published. From the description, it seemed as though it lived on the margin between open mike night and a talent show. Multiple acts would do short sets, but there was an implication that extensive screening would have gone on. We decided that as we had arrived in this place on this night by such a bizarre set of circumstances, we had to go see the show. We thought it would probably be awful (and to spare you any suspense, it mostly was) but it seemed like it would be fighting fate to skip it altogether.
We walked downstairs and bought tickets from a Byronic American in his northerly forties. His name was Robert, and he was the promoter and MC for the evening. The brochure had said the event started at 9:00 sharpish. It was about 8:55, so we pulled out our books and settled down for a nice long wait. I dont go to much live music, but I know no one involved with it can tell time.
Robert was videotaping the event in the hope of distributing the recordings as a way topromote some of the acts. The camera was balanced precariously on a table just across from the stage, and there was a lot of lively yelling at performers to stay on the mark on the stage where the camera could see them and not to walk between the camera and the stage. Im going to charitably say that all this fuss put a few of the performers off, because the notion that about three of them would ever get on stage if we saw them at their best is just too frightening. It was almost a perfect parody of an open mike night.
Robert himself opened the first set with a performance poem that involved some guitar accompaniment called Karaoke Cowboy. To the best of my shattered memory, he was followed by a comic who didnt even seem to get his own jokes and who broke off his act in disgust at the audience for not being more amused. A woman then sang a few songs with impenetrable lyrics while almost randomly plucking strings on her guitar. Ive given you the sense of the evening by now, so I will pass lightly over the rest merely reassuring you that there was, indeed, a slender blond poetess in a butt skimming pale scarf who self identified as the evenings purveyor of unrequited love. When asked whether she could return for the second set she admitted she had another 150 poems in her folder, a fact she would have done better to have kept from me.
And then, just as my brain was starting to cushion itself with the unreality of the whole thing, on to the stage saunters Earl Okin. I leaned over to Mom and said Weve seen an Englishman in spats now, we can go home. Earl took up his guitar. Utterly unflustered by the recording apparatus and seated on a barstool with a tractor in its lineage, he began to play beautifully. First, he mentioned that hehas a CD coming out soon called Earl Okin: Musical Genius & Sex Symbol. He gave us three songs, and I would willingly have stayed to hear another pile of poems from the blond if Earl had said he could have come back for the second set.
Earl seemed to me to be tapped in to the music hall tradition. He is a talented singer and guitarist, but mostly he is an ace entertainer, and of course he has a gimmick. In his case, really two gimmicks. First, there is the whole dress for the Edwardian age, lisp slightly, and talk about what a sex god you are thing itself well worth the price of admission. Second, he can with nothing but his voice and lips, perfectly reproduce the sound of a muted horn. I mean, perfectly. If it wouldnt have been even harder in that blighted basement space to hide a trumpet player than to produce those tones without an instrument, I would have suspected trickery.
Special bonus points one of the acts the details of which Ive spared you included a saxophonist. I was seated where I could see him, and when Earl first started playing his horn, I saw the fellows face fall slightly in the sure knowledge that he was going to be the second best horn player of the evening, even though he was the only one who had brought a horn.
Knowing that lightening rarely strikes twice, we edged out during the act after Earl. On our way out of the Troubadour, I saw Earl at a table and stopped to fawn briefly. He handed me a buck slip for his upcoming album. It included an URL I havent had a chance to follow up yet - www.spats.demon.co.uk. I recommend a look to any of you, and if his CD is released in the colonies I suggest you scoop one up.
Cab ride home, set an alarm, off to bed.
Most of Wednesday was consumed with travel. The cab ride to
I am relieved to say I found he was right, but before getting to that a brief note on
We landed in
We got nice views of Lancashire countryside on the way up, then took the scenic route through the
With only one minor turnaround, we found Hawcliffe House in
Garmin walk facts: 5.27 miles walked with 1 hour 49 minutes of walking and 45 minutes of gawping at scenery for an average moving speed of 2.9 mph with 350 feet climbed.
After dropping off packs and changing shoes, we walked back into town for some dinner at the Black Lion. We walked down to the Theatre by the
We put a coda on the day by walking out into
Time to go down to breakfast.
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